It has
been almost four
years since
Seattle's Matt
Shoemaker released Warung Elusion for Trente Oiseaux, and during the
intervening
years, he has honed his already impressive electroacoustic
compositional
skills. Forking Path Navigator is structured around a swarming mass of
sound
that slowly builds out of a whisper and snaps abruptly at it's 40
minute
conclusion. From afar, the album appears as a monochromatic avalanche;
but
on closer inspection, Shoemaker produces a dynamic Kaleidoscope within
these
tumbling snowdrifts of gray tonalities. He mingles the heavy filtered
field
recordings and glassine feedback systems, steadily moving from a
vertiginous
weightlessness to a boiling crucible of seething hiss. Throughout the
album,
he introduces a subtle rhythmic plod, which he disguises in various
forms
of a metallic klang, a bowed piece of metal, the crash of surf, and a
distant
promethean thud. Thanks to these variable structures and to his
attention
to detail to detail, Shoemaker has crafted a spectral album of
bewildering
psychogeography.